Transmission Wood Paris
2018

Video, Installation, Performance
2019
The Big Sleep
Haus der Kunst München
2018
SometimeStudio Paris
Transmission Wood, video of the performance, short excerpt, 2018, camera & editing: Ramuntcho Matta and Valery Faidherbe

The exhibition Transmission Wood at SometimeStudio in Paris shows, on the one hand, the video documentation of a mysterious nocturnal expedition through the metropolis. This is an attempt to connect with trees using a branch antenna strapped to the body.
Is it possible to receive subtle vibrations and messages and establish contact?

In addition to the video, the exhibition of the same name features a room installation with objects and drawings.

Video documentation of the performance, 10:26 min.
Produced by sometimeStudios Paris, camera: Ramuntcho Matta and Valéry Faidherbe

The performance TRANSMISSION makes the secret communication of plants visible and attempts to bring the urban parallel worlds of trees and humans into contact. It demonstrates the different communication networks that simultaneously span urban space, overlap and intertwine in an unplanned manner, thereby opening up a horizon for a non-verbal, as yet unknown form of communication transfer.

Dr. Cornelia Oswald
Test of antenna for the perormance, Paris 2018, photo: Ramuntcho Matta
Invitation motive for the exhibition Transmission Wood at SometimeStudio, Paris, 2018

The video TRANSMISSION WOOD is part of an ongoing project called ‘field notes from the wild,’ in which Judith Egger explores the complex relationships between today's Western society and ‘the wilderness.’ It documents a secret, nocturnal experiment in which a giant wooden antenna disguised as a street sign attempts to communicate with the ‘wilderness’ of the city streets and their arboreal inhabitants. ‘Will any messages be received, can any connections be made, can the ancient “tree sense” be activated? (Judith Egger, 2018)’. This investigation takes place in an almost surreal, dreamlike, nocturnal situation and ends with the first light of dawn. The city is empty and unusually quiet, no night owls, only the silent stone of its buildings and the bare infrastructure. The life of plants can fill this emptiness; trees never sleep, they transform the gases of the day into the gases of the night, reversing processes without being asked. What do they do when the builders of cities sleep and give them space for their very own, different kind of communication? How does this non-verbal, image-less model of communication relate to the hyper-verbal, hyper-illustrated, hyper-massaged communication of human inhabitants?

The performance TRANSMISSION makes the secret communication of plants visible and attempts to bring the urban parallel worlds of trees and humans into contact. It demonstrates the different communication networks that simultaneously span urban space, overlap and intertwine in an unplanned manner, thereby opening up a horizon for a non-verbal, as yet unknown form of communication transfer.

Text by Dr. Cornelia Oswald
Exhibition view Transmission Wood, SometimeStudio, Paris, 2018

If any messages are received, could any connections be established, could the old ‘tree sense’ be activated?

Judith Egger
First drafts about the antenna - still some resemblance to the Eiffel Tower, pencil, 2018
the tree senses, Acryl und Bleistift auf Holzfurnier, 21 x 30 cm, 2018

I spoke with trees a few times in my life, you know. they like to giggle at humans - they feel sad for us. but a funny kind of sadness.

Michael Northam
Model for antenna from shish kebab skewers, exhibition view, SometimeStudio, 2018
Official authorisation for the night-time performance, City of Paris, 2018
Transmission, video still der Performance, 2018

Comédienne se baladant déguisee en arbre.
/ comedian who runs around, dressed up as a tree

Bewilligung Mairie de Paris
Transmission, video still of the performance, 2018
Screenshot of WhatsApp message between Michael Northam and Judith Egger, 2018
tree sense, drawing, oil bar on paper, 21 x 29 cm, 2018